Disney, Magic, Laughter
The Incredibles, 2004
To record the Henry Mancini- and John Barry-inspired jazz-orchestra score, composer Michael Giacchino eschewed modern digital multi-track recording and returned to the analog recording methods used for jazz-orchestra recordings in the 1960s. “We were just like, ‘Forget that, let’s throw everyone in the room, let’s pretend we only have three microphones, and let’s get it right. Let’s just do it.’” 

The Incredibles, 2004

To record the Henry Mancini- and John Barry-inspired jazz-orchestra score, composer Michael Giacchino eschewed modern digital multi-track recording and returned to the analog recording methods used for jazz-orchestra recordings in the 1960s. “We were just like, ‘Forget that, let’s throw everyone in the room, let’s pretend we only have three microphones, and let’s get it right. Let’s just do it.’” 

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